3/9/2024 0 Comments St elsewhere entrapment cast![]() It’s a revolutionary thing to have someone say, ‘I want to help you do this work that you would otherwise have to do on your own.’” (Bennett worked with Butler on “Elvis,” helping him embody the rock ’n’ roll legend’s mannerisms.) The Australian actor is effusive in her praise of Bennett, saying that every time she bumps into Austin Butler at an event, “All we do is talk about Polly. We broke it down: Well, obviously that’s because she didn’t want to give photographers an angle,” Debicki said.įor Debicki, who also had experience as a dancer, there was something liberating about collaborating with someone who was so body-focused and could help find what she called the “emotional logic” of her character’s movements - an “incredibly crucial step” in making the show, she said. She understood how vulnerable that threshold was, and she just gently helped me get over it.” Debicki and Bennett would review footage and photos together, and identify patterns in Diana’s behavior - noting, for instance, how she “never get out of a car without holding a clutch right up to her chest. ![]() Then I ended up just staring at the screen lovingly and go, oh s-, I have to go back 20 minutes.”ĭebicki likens this prep period to standing on a threshold: “You haven’t quite started to try to aloud in front of people. “One of the things that frustrated me when I was trying to do my research was I’d sit down with my notepad to take notes. “There was just an incredible magnetism, an approachability, a very distinct vulnerability that helped us empathize with her unlike other public figures,” said Debicki. “It was overwhelming,” said Debicki, who prepped by viewing hours of archival footage of Diana. You’re trying to find an authentic truth and a reason why people act the way that they do.”ĭebicki said that when she joined “The Crown” in Season 5 - taking over for Emma Corrin, whose depiction of the blushing teenager dubbed “Shy Di” was so uncanny it sparked a meme - she felt nervous and vulnerable. “It is not about mimicking something that already exists. The goal of this method is to “create a full, rounded character,” Bennett explained. The way we carry ourselves is the result of myriad factors, from the sports we played as a child to the food we eat. “Especially on programs like ‘The Crown,’ I invite them in and say, ‘Tell me everything you’ve been looking at.’ And then we work out how to actually turn that into something physical, so that you’re not just stuck in your head going, ‘I’ve got to act like I’m a famous person.’” ![]() “Actors spend a lot of time by themselves, taking in lots of information and not actually being able to practicalize or physicalize what they’re doing,” she explained. Originally trained as a dancer, Bennett encourages actors to be as conscious of their bodies as they are of their dialogue and accents. “We find the reasons why movements happen,” Bennett said in a recent video chat from London. For Elizabeth Debicki, who stars as Diana in the final season of “The Crown,” that task was made less daunting by movement coach and choreographer Polly Bennett.īennett has worked on “The Crown” since Season 3, helping the cast fine-tune their physical performances and understand the origins of each character’s unique gestures, posture and gait. The challenge for any actor playing such a recognizable public figure is how to capture their essential movements without descending into caricature. Part of what endeared her to the public and made her so irresistible to the press were her distinct, unusually expressive mannerisms - the bashful head tilt, the nervous lip-biting, the tactile way she interacted with her sons. During her 16 years in the spotlight, Diana, Princess of Wales, was one of the most photographed women in the world. ![]()
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